The African clothing brand making eco-friendly high-end fashion from ocean plastic waste in a bid to help ‘save the planet’

The two men in bright overalls rooting for plastic on a Tunisian beach do so to make a living, but also in the knowledge that they are helping the environment.

What they do not know is that the waste will become part of a synthetic plastic fibre used to make blue denim cloth to create a dress for the eco-friendly fashion label Outa.

The pair are among around 15 informal waste collectors taking part in the Kerkennah Plastic Free programme, backed by the European Union.

This aims to recover the 7,000 tonnes of plastic waste each year that end up littering beaches on the Kerkennah Islands 20km (12 miles) off the port city of Sfax.

Waste collectors pick up plastic as part of the EU-backed Kerkennah Plastic Free programme. Photo: AFP

Jean-Paul Pellissier, of the International Centre for Advanced Mediterranean Agronomic Studies, is coordinating the EU-funded project.

He says that on the archipelago, “we have an exciting environment in terms of nature and tranquillity. It’s ideal for green tourism”. The islands are a passage point for migratory birds, and its waters are abundant in Posidonia oceanica seagrass, or Neptune grass.
Plastic waste picked up from the beach goes on to be used in the clothing of eco-friendly fashion brand Outa. Photo: AFP

“But there’s one thing you never see in the pictures – the plastic,” he says. Marine currents carry the waste from Europe into the Gulf of Gabes, and there it washes up.

The waste collectors take their daily harvest to a sorter, from where it is passed to a collection company and then fed into a crusher to be baled.

A partnership has been established with Seaqual Initiative, an international consortium which buys the marine plastic “at a remunerative and stable price all year round”, Pellissier says.

When you think that this is recycled and ecological, that jobs have been created … it’s a whole interesting chain

Outa’s designer Maud Beneteau, on the eco-friendly material used to make the brand’s debut collection

The initiative’s website says it “works with ocean clean-ups around the world to bring value to the waste that they recover”.

Omar Kcharem is the boss of Kerkennah Plast, which compacts and crushes plastic, and he said working with Seaqual has created new opportunities, since marine plastic “does not have much value and does not bring in any money”.

The plastic granules recovered after grinding the waste are transformed into Seaqual Yarn nylon fibre in Portugal, in one of just four factories in the world equipped with the technology.

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“This is innovative,” Pellissier says. “Four or five years ago, you couldn’t recycle marine plastic because of its lengthy exposure to salt water and the sun.”

He says Seaqual Yarn comprises around 10 per cent of recycled marine plastic, but the aim is to increase this.

Apart from the Portuguese side of the operation, the rest is definitely “Made in Tunisia”.

A model wears items from Tunisian clothing brand Outa’s first haute couture collection. Photo: AFP

In the coastal town of Ksar Hellal southeast of Monastir, a huge machine in the ultra-modern Sitex plant transforms the Seaqual Yarn into denim.

Sitex is a denim specialist that has supplied brands such as Hugo Boss, Zara and Diesel. Now Anis Montacer, founder of the Tunisian fabric and fashion brand Outa, has entered into a partnership with it.

He chose Sitex “for its sensitivity to the environment, because in 2022, 70 per cent of their manufacturing was based on recycled fibres”.

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“We worked together to determine the proper yarn strength and the right indigo dye,” he says, adding that their collaboration will continue to expand Outa’s colour range to include natural dyes.

“The entire process takes place in Tunisia, from the denim transformed in Ksar Hellal to the Tunisian seamstresses who work on the tailoring” for Outa, Montacer says.

Production costs are 20 per cent higher, though, than for denim without the marine plastic content.

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Despite this, Montacer believes he can “bring together other entrepreneurs and inspire designers to produce eco-responsible collections”.

He called on French designer Maud Beneteau, who had formerly worked with influential couturier Hedi Slimane, to design Outa’s first haute couture collection.

“We chose a high-value collection because the production cost is higher than with normal thread to create denim fabric,” Montacer says.

Maud Beneteau, the French designer behind Outa’s first haute couture collection. Photo: AFP

Outa creations first graced the catwalk during Tunis Fashion Week in June.

Beneteau saw the first Outa collection as “a challenge, a human dimension in this wonderful project that aligns with the idea of saving the planet”.

She does say there were some difficulties working with a fabric that was “a little thick and stiff, originally designed for sportswear and ready-to-wear, rather than haute couture”.

Models wearing items from Outa’s haute couture collection. Designer Beneteau says that working with Outa’s eco-friendly presented challenges, but was part of a “wonderful project”. Photo: AFP

More used to fine silks, linen and cotton, she admits having some qualms working with the new fibre, even though, like her peers in the fashion industry, she tries to recycle and buy back unsold stock in the fight against overconsumption.

But “when you think that this is recycled and ecological, that jobs have been created, people who pick up the plastic … it’s a whole interesting chain”, she says.

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